You Are On Native Land w/Eve-Lauryn LaFountain & P4J /
Next Weekend /
NFTPOL I (TEST) VIA FND /
* summer monsoon * https://t.co/4ZB2qD9HBe?amp=1
Pfizer and BioNTech #2 /
MoIFA Screening & Charla /
Museum of international folk art SCreening & CHARLA
With Lone Piñon and cody Edison moderated by Nicolasa Chávez
March 24, 2021 (2:00PM MDT)
“The Museum of International Folk Art (MoIFA) is excited to present a virtual ‘charla’ (chat) with filmmaker Cody Edison on his award-winning film And Those Who Dance it Surrender Their Hearts to Each Other at 2 p.m. (MDT) on Wednesday, March 24. The documentary focuses on the northern New Mexico string band Lone Piñon as the group pays homage to the region’s cultural roots. Edison and two members of the band, Jordan Wax and Tanya Nuñez, will share their stories and answer questions during the charla.
Winner for Best Documentary Feature at the Cinema on the Bayou Film Festival, the 43-minute documentary will be available for viewing via MoIFA’s YouTube channel at 2 p.m. on Sunday, March 21, and at 2 p.m. on Monday, March 22, on the museum’s Facebook page. This is to allow ample time for viewers to enjoy at their leisure.
This online event is in conjunction with the two concurrent exhibitions ‘Música Buena: Hispano Folk Music of New Mexico’ in the Hispanic Heritage Wing at MoIFA and ‘Música Buena: Celebrating Music in New Mexico’ in the Wonders on Wheels mobile museum.”
“The Museum of International Folk Art is a division of the Department of Cultural Affairs, under the leadership of the Board of Regents for the Museum of New Mexico. Programs and exhibits are generously supported by the International Folk Art Foundation and Museum of New Mexico Foundation. The mission of The Museum of International Folk Art is to shape a humane world by connecting people through creative expression and artistic traditions. The museum holds the largest collection of international folk art in the world, numbering more than 130,000 objects from more than 100 countries.”
Six Years /
Six years together today, happy anniversary CSW (polaroid c. 2/25/18).
From Bixby Canyon, Big Sur (For Ferlinghetti) /
A visual memorial for Lawrence Ferlinghetti who passed away today in San Francisco at the age of 101. These photos are from a walk down Bixby Canyon to the beach beneath Bixby Bridge (c. 2015).
"PITY THE NATION"
(After Khalil Gibran)
Pity the nation whose people are sheep
And whose shepherds mislead them
Pity the nation whose leaders are liars
Whose sages are silenced
And whose bigots haunt the airwaves
Pity the nation that raises not its voice
Except to praise conquerers
And acclaim the bully as hero
And aims to rule the world
By force and by torture
Pity the nation that knows
No other language but its own
And no other culture but its own
Pity the nation whose breath is money
And sleeps the sleep of the too well fed
Pity the nation oh pity the people
who allow their rights to erode
and their freedoms to be washed away
My country, tears of thee
Sweet land of liberty!
Of The Coast (II & III) /
As-salamu alaykum /
Two days ago the BBC reported”“…inside China's vast and secretive system of internment camps in the Xinjiang region. According to independent estimates, more than a million men and women have been detained in the sprawling network of camps, which China says exist for the ‘re-education’ of the Uighurs and other minorities.
Human rights groups say the Chinese government has gradually stripped away the religious and other freedoms of the Uighurs, culminating in an oppressive system of mass surveillance, detention, indoctrination, and even forced sterilization.
The policy flows from China's President, Xi Jinping, who visited Xinjiang in 2014 in the wake of a terror attack by Uighur separatists. Shortly after, according to documents leaked to the New York Times, he directed local officials to respond with ‘absolutely no mercy’. The US government said last month that China's actions since amounted to a genocide. China says reports of mass detention and forced sterilization are ‘lies and absurd allegations’.
First-hand accounts from inside the internment camps are rare, but several former detainees and a guard have told the BBC they experienced or saw evidence of an organized system of mass rape, sexual abuse and torture.”
You can read the full article here “‘Their goal is to destroy everyone': Uighur camp detainees allege systematic rape.” Trigger warning! Extremely graphic accounts of rape and torture are depicted in this article. This is a human rights crisis. This is genocide.
The forthcoming P4J series will raise funds for the Uyghur Human Rights Project.
The scans above are items I saved from my trip to the Xinjiang Uyghur Autonomous Region (XUAR) in 2015.
This recording is of a group of musicians who played music for me at their home, in Turpan, on the last evening of Ramadan.
As-salamu alaykum : "Peace be upon you"
Inauguration Eve /
The Joan of Arc statue in Meridian Hill Park (AKA Malcolm X Park) in Washington DC. Photographed on the morning of 1/14/2021 (photographer unknown).
“The Joan of Arc Statue is the only equestrian statue of a woman in Washington, DC. Joan of Arc was a heroic French figure who claimed to receive religious visions telling her to fight for France and overthrow the English during the Hundred Years War. Upon her capture and trial at the hands of the English, she was burned at the stake, leading the Catholic church to recognize her as a martyr in 1456. She was beatified in 1909 and canonized in 1920. This statue, a copy of the original at the Rheims Cathedral, was erected in 1922. The statue was a gift from the Society of French Women of New York.” *
Statue inscription:
Jeanne D’Arc
Liberatrice
1412-1431
Aux Femmes D’Amérique
Les Femmes De France
An inscription on the back of the pedestal reads:
Offert Par
“Le Lyceum”
Société Des Femmes De France
À New York
Le 6 Janvier 1922
Harry Bertoia Monoprint #14 (For Betzy Bromberg) /
This artwork inspired the structure for my film Lupines Will Abound (2020).
Studio Archive: Small Things /
In chronological order from left to right:
Petrified wood collected outside of Holbrook, Arizona
A rattle snake’s rattle (a gift from Antonio)
An album full of tintype portraits from the 19th century (a gift from my Pops)
Roadrunner in the desert tile from the Rainbow Man store in Santa Fe, New Mexico
A polished petrified whale bone found on the coast of Santa Barbara (a gift from Al Blair)
A Mexican trinket from Chimayo, New Mexico
The canister of the first roll of 16mm film that I shot with a Bolex
Big Sur jade purchased on the isolated hw 1 freeway junction during the 2017 closures (due to a bridge failure and landslide)
Portrait album from the 19th century (#3 open)
Tin and wood hand with milagro from Mexico
A postcard from the peak base camp of the Annapurna Sanctuary (sent by Macdowell Whittington in 2014)
Eagle carved in bone from New Mexico
2020 Bob Baker Marionette Theater pin
Jade skull from New Mexico
Shell fossil collected at Deep End Ranch in Santa Paula, California
Desert rose (a gift from Leticia Gonzales)
Christine’s birthday rock collected from the Andrew Molera State Park in Big Sur, California on June 14, 2020
A postcard of Sitting Bull and Buffalo Bill Cody in Montreal, Canada photographed by David Notman, 1885 (a gift from Rebecca Solnit)
A sperm whale’s tooth
A 2020 holiday card by Kat Kinnick
A card I was required to wear when ridding in a horse parade (calbagata) and procession for the visit of Santo Niño de Atocha in Santa Paula, California
Turritella fossil shell collected in Topanga Canyon on July 4, 2019
Pueblo cowboy hat ceramic from New Mexico (a gift from my Pops)
2001-D Sacagawea gold dollar coin collected the date of release in Ketchum, Idaho
Petrified wood collected outside of Winslow, Arizona
X Insurrection X /
My top opinion pieces (updated as of 1/10/2021):
“This is the America that Black people know” by Cori Bush
“The American Abyss” by Timothy Snyder
“When the President of Mediocrity Incites an Insurrection” by Rebecca Solnit
Art Fundraiser /
This 8x10 photogram of a great horned owl’s central tail feather will be for sale to support Black Queer and Trans Women affected by COVID-19, on October 22, 2020. The artwork was made in collaboration with Christine Wood.
UPDATE: THE AUCTION IS NOW LIVE !
Art Fundraiser LA brings together over 60 contemporary artists united in their passion to raise funds for Los Angeles based, Black queer and trans womxn affected by Covid-19.
All proceeds from this fundraising auction will be received and distributed by The Women’s Center For Creative Work. Founded in 2013, the center cultivates L.A.’s feminist creative communities and practices. It is a place that affirms that art, creativity, and imagination have intellectual, personal, and political value.
To donate directly to this fund please click here.
https://theauctioncollective.com/auctions/art-fundraiser-la/
To Trouble America & To Forgive It - For Congressman John Lewis /
“Do not get lost in a sea of despair. Be hopeful, be optimistic. Our struggle is not the struggle of a day, a week a month, or a year, it is the struggle of a lifetime. Never, ever be afraid to make some noise and get in good trouble, necessary trouble.”
Today a nation mourns the passing of an American hero, a sharecropper's son, a freedom rider, a sit-in organizer, a chairman and leader of SNCC, a philosopher of nonviolence, a “Secular Saint,” our seventeen term Congressman John Lewis. “The boy from Troy,” “the conscience of the U.S. Congress” is dead, and we collectively grieve his departure and honor all that he fought for. This is an immeasurable loss, but what he gave us is eternal.
Upon awarding the Medal of Freedom to John Lewis in 2011, President Obama said, “Generations from now, when parents teach their children what is meant by courage, the story of John Lewis will come to mind — an American who knew that change could not wait for some other person or some other time; whose life is a lesson in the fierce urgency of now."
Tweeted July 7, 2020
59 years ago today I was released from Parchman Farm Penitentiary after being arrested in Jackson, MS for using a so-called "white" restroom during the Freedom Rides of 1961.
A virtue of his remains uniquely defiant and inspiring to me; his courage to forgive, even an enemy seeking reconciliation he would embrace. After reading the first wave of tributes onilne last night I also ventured to his congressional website to study his recent work, and his press release memos. This memo stood out, so I am leaving it here to contemplate. It’s a story we should all remember as we try to build from the ashes of this global pandemic and global warming.
REP. JOHN LEWIS SADDENED BY PASSING OF ELWIN WILSON, ROCK HILL MAN WHO APOLOGIZED
April 2, 2013
Press Release
Upon learning about the death of Elwin Wilson, the former Ku Klux Klan member who beat him when the Freedom Rides stopped at a bus station in Rock Hill, South Carolina in 1961 and apologized for his actions decades later, Rep. John Lewis made this statement:
“I am very sorry to learn of Elwin Wilson’s passing. It is my prayer that he will rest in peace since he made amends to many of those he had injured. He told me he wanted to be right when he met his Maker, and I believe Elwin Wilson accomplished what he set out to do.
“We can all learn a valuable lesson from the life of this one man. He demonstrates to all of us that we fall down, but we can get up. We all make blunders, but we can get on the right road toward building a greater sense of community.
“Elwin Wilson experienced what Martin Luther King Jr. told all of us that “hate is too heavy a burden to bear”. He demonstrated the power of love and the effectiveness of non-violent direct action not only to fix legislative injustice but to mend the wounded souls in our society, the soul of the victim as well as the perpetrator. Elwin Wilson shows us, that people can change, and when they put down the mechanisms of division and separation to pick up the tools of reconciliation, they can help build a greater sense of community in our society, even between the most unlikely people. Elwin Wilson proves that we are all one people, one family, the human family, and what affects one of us affect us all.
“I will never forget Elwin Wilson. I speak about our meeting often. In fact, just this morning I mentioned him to 147 students from California, New York, and Ohio. And I spoke about him earlier this month on the pilgrimage to Alabama. Because this one man had the courage to seek the power of forgiveness, he stepped off the sidelines and into the pages of American history forever.”
Farewell John Lewis, and thank you. A “better, fairer, fuller” America will come forward in November. Rest in Power & Peace.
TOGETHER, YOU CAN REDEEM THE SOUL OF OUR NATION
JULY 30, 2020
John Lewis’ last statement to the public, written shortly before his death, published on the day of his funeral.
While my time here has now come to an end, I want you to know that in the last days and hours of my life you inspired me. You filled me with hope about the next chapter of the great American story when you used your power to make a difference in our society. Millions of people motivated simply by human compassion laid down the burdens of division. Around the country and the world you set aside race, class, age, language and nationality to demand respect for human dignity.
That is why I had to visit Black Lives Matter Plaza in Washington, though I was admitted to the hospital the following day. I just had to see and feel it for myself that, after many years of silent witness, the truth is still marching on.
Emmett Till was my George Floyd. He was my Rayshard Brooks, Sandra Bland and Breonna Taylor. He was 14 when he was killed, and I was only 15 years old at the time. I will never ever forget the moment when it became so clear that he could easily have been me. In those days, fear constrained us like an imaginary prison, and troubling thoughts of potential brutality committed for no understandable reason were the bars.
Though I was surrounded by two loving parents, plenty of brothers, sisters and cousins, their love could not protect me from the unholy oppression waiting just outside that family circle. Unchecked, unrestrained violence and government-sanctioned terror had the power to turn a simple stroll to the store for some Skittles or an innocent morning jog down a lonesome country road into a nightmare. If we are to survive as one unified nation, we must discover what so readily takes root in our hearts that could rob Mother Emanuel Church in South Carolina of her brightest and best, shoot unwitting concertgoers in Las Vegas and choke to death the hopes and dreams of a gifted violinist like Elijah McClain.
Like so many young people today, I was searching for a way out, or some might say a way in, and then I heard the voice of Dr. Martin Luther King Jr. on an old radio. He was talking about the philosophy and discipline of nonviolence. He said we are all complicit when we tolerate injustice. He said it is not enough to say it will get better by and by. He said each of us has a moral obligation to stand up, speak up and speak out. When you see something that is not right, you must say something. You must do something. Democracy is not a state. It is an act, and each generation must do its part to help build what we called the Beloved Community, a nation and world society at peace with itself.
Ordinary people with extraordinary vision can redeem the soul of America by getting in what I call good trouble, necessary trouble. Voting and participating in the democratic process are key. The vote is the most powerful nonviolent change agent you have in a democratic society. You must use it because it is not guaranteed. You can lose it.
You must also study and learn the lessons of history because humanity has been involved in this soul-wrenching, existential struggle for a very long time. People on every continent have stood in your shoes, through decades and centuries before you. The truth does not change, and that is why the answers worked out long ago can help you find solutions to the challenges of our time. Continue to build union between movements stretching across the globe because we must put away our willingness to profit from the exploitation of others.
Though I may not be here with you, I urge you to answer the highest calling of your heart and stand up for what you truly believe. In my life I have done all I can to demonstrate that the way of peace, the way of love and nonviolence is the more excellent way. Now it is your turn to let freedom ring.
When historians pick up their pens to write the story of the 21st century, let them say that it was your generation who laid down the heavy burdens of hate at last and that peace finally triumphed over violence, aggression and war. So I say to you, walk with the wind, brothers and sisters, and let the spirit of peace and the power of everlasting love be your guide.
In Solidarity (Today, Tomorrow and for a Lifetime) /
How Will We Let This Decade Define Us /
Here we are Jan. 1, 2020
The next 10 years will shape the world more dramatically than any other decade before it. How will history look back at us? Today I’m afraid, but I have hope too. The last decade was a decade of critical movements emerging and changing the world (Occupy, NoDAPL, Black Lives Matter, Women’s March, Never Again, Me Too, Swing Left, Fridays for Future & Climate Strike), and now we have arrived at a time where there is no place to hide from our bleak future. As Bill McKibben (founder of 350.org) wrote, in response to a question of whether we are actually in an environmental emergency, “Human beings have never found themselves in an emergency of this scale. Indeed, you have to go back many tens of millions of years to find an extinction crisis of the same scale. We know of five other periods like this over the last 400 million years, and all of them are connected with the same gas, carbon dioxide, that lies at the center of our current woes.” One million species are threatened with extinction.
This is bigger than Brexit
I visited England last spring. On the flight there I started to learn about the organized actions taking over the streets of London. Something called Extinction Rebellion. 1000 activists had already been arrested in a week. My first day in London, shortly after arriving from the airport, without a sense of bearing in London, I walked from my hotel near the western part of Hyde park due east. I was not aware I was going to the heart of the protests located in Marble Arch (built-in 1827 as a state entrance to the cour d’honneur of Buckingham Palace), and serendipitously spent the first hours of my trip abroad in solidarity with XR. I had missed Greta Thunberg and other climate activists speak by a couple of hours and the large crowd had already dispersed. What was left was the village of tents and the signs of protesters, I was witnessing the quiet hours of the peaceful occupation and I admired what I saw. This was just a glimpse of something building, soon the global climate strikes would pervade and demand the attention of the world. Extinction Rebellion is an international movement utilizing non-violent civil disobedience to fight for radical change. With the goals of “minimizing the risk of human extinction and ecological collapse.”
Demands
That the Government must tell the truth about the climate and wider ecological emergency, it must reverse all policies not in alignment with that position and must work alongside the media to communicate the urgency for change including what individuals, communities and businesses need to do.
The Government must enact legally-binding policies to reduce carbon emissions to net-zero by 2025 and take further action to remove the excess of atmospheric greenhouse gases. It must cooperate internationally so that the global economy runs on no more than half a planet’s worth of resources per year.
We do not trust our Government to make the bold, swift and long-term changes necessary to achieve these changes and we do not intend to hand further power to our politicians. Instead, we demand a Citizens’ Assembly to oversee the changes, as we rise from the wreckage, creating a democracy fit for purpose.
We demand a just transition that prioritizes the most vulnerable people and Indigenous sovereignty; establishes reparations and remediation led by and for Black people, Indigenous people, people of color and poor communities for years of environmental injustice, establishes legal rights for ecosystems to thrive and regenerate in perpetuity and repairs the effects of ongoing ecocide to prevent extinction of human and all species, in order to maintain a livable, just planet for all.
The Rebellion Recorder (Fall 2019, Vol I, No.2)
The first California-wide edition of Extinction Rebellion’s The Rebellion Recorder was released in October and features my color photographs (using a 35mm Leica mini-lux zoom) from Marble Arch. Over 10,000 issues were printed and distributed in the state. Here is a selection of photographs from April 2019. The underlined text above will take you to the fall issue.
We are all Wanderers /
I’m on my way to Lafayette, Louisiana for the world premiere of my new film And Those Who Dance it Surrender Their Hearts to Each Other. It will screen at the Acadiana Center for the Arts Sunday, Jan. 27 at 730pm as part of the 14th annual Cinema on the Bayou Film Festival. I moved to New Mexico for seven months to work with Danny Lyon in 2017 and that’s where I started a project about a string band called Lone Piñon. In anticipation of my premiere this weekend I decided to put together a post about working with Danny Lyon. I helped him edit his new film Wanderer (2018), and other notable projects included uploading all of his recently restored films to Vimeo (accessible and free online for the very first time), scanning artwork for his archives, and cataloging his life work. We would discuss how art can function as an alternative to the media, and how historical context is always present. I enjoy his films because they are conversations. Lyon is constantly speaking with his subjects while filming so his presence is not hidden, it is ubiquitous. This gives a remarkable insight into his humanity, his life and into the uncompromising vision of (as Jerry Saltz wrote) “one of the most powerful and important political photographers in history.” *
Wanderer just had its west coast premiere at the Center for Creative Photography in Tucson, Arizona in November 2018.* After the screening, Lyon spoke about his film, the perks of small digital video cameras, and making work in New Mexico. “This is a very dark film actually, and we are in a very dark time, to put it mildly. I think the desert was a subject important to me and so was the end of civilization and climate change.”
Lyon first arrived in New Mexico in his late twenties at the peak of his photography career, and he fell in love with a small town north of Albuquerque. He built his adobe home with his best friend, Eddie, an undocumented worker from Chihuahua, Mexico. Eddie is the star of his film ironically titled El Mojado / “The Wetback” (1974). Lyon would help smuggle Eddie across the border every year, and some of his early photographs in New Mexico were portraits of Eddie and the construction of his home. He then directed his attention towards locals like the Jaramillo family. In his new film, Lyon finds Willie Jaramillo's little brother Ferny and his sister Gloria who are now older adults. It is the fourth feature in a series of New Mexican non-fiction films: Llanito (1971), Little Boy (1977) and Willie (1985). In the words of Lyon: “A part of the power of these films is that they are real. You can’t buy realism. The real magic is that it can be a reflection or a moment, it can be a very little thing and if it’s in focus that is the most gratifying thing.” He and his wife Nancy purchased Willie’s tombstone. Willie is buried at The Lady of Sorrows Cemetery where Lyon films his neighbor Dennis lighting candles at the beginning of Wanderer.
“I came to New Mexico with all my famous photography behind me and I was really walking away from this stellar career as a photographer and I got there (New Mexico) around 1970. When I got to Sandoval County and I looked around which I knew very little about, but there’s not that much to know about the county …there were only four roads in it, I thought this was like Faulkner. Faulkner lived in Oxford, Mississippi and as I understand it many, or most of the things he wrote about were about things right there in his back yard. People he knew etcetera etcetera, and I thought I can do that here in Llanito, and in a way I did it.” He continued, “I never connected back east the way I did with the west and that community. I tend to fall in love with the people I am filming. I care about them. The Jaramillos are very nice to me and nice people. ”
“I want to point out with pride that you are not supposed to have a camera in the auto graveyard, you are not supposed to have a camera in the fairground, and you are not supposed to make films in a casino, and you are not supposed to make films with your dog. All these things were done clandestinely without permission. That’s where this little camera comes in.” Until 15 years ago all of Lyon’s work was made on a 16mm film camera. After shoulder surgery, he picked up a one-pound high definition 4k digital video camera. Lyon reflected, “In a way, it’s a dream come true going back to my first film in 1969 (Social Sciences 127) you had to have a sound person. I married Nancy and she was my sound person. We made many many films together, so you have to have a second independent person holding a mic, but you don’t with this. It is a real revelation because people do have separate people holding mics, but the audio is actually excellent. So that changes it emotionally. You don’t have to have a second sensitive person there…Nancy was a big plus because she is much nicer than I am. Most of Willie, Willie is speaking to Nancy. Who is a perfect sound person, because she is not noisy like me. I talk more than people in the film. I’m very judicious about turning the camera on. The trouble with video is it’s not film. It’s free and you tend to use it like a tape recorder, which is a totally different experience. You turn it on and leave the room like you are Andy Warhol. That's a problem really it’s much better when you are under pressure.”
I’d like to thank Danny Lyon for his permission to share these videos on my blog, and all the work we have done together since 2017. To see more of his work you can go to his website or to his vimeo page.
* “Look Outward, Artist: What Photography Can Learn From Danny Lyon in the Age of Trump,” by Jerry Saltz
* CCP was founded by a strong conviction from Ansel Adams to the president of the University of Arizona to house his and many other photographers archives in a state of the art academic museum. It now holds over 270 archival collections of influential photographers like Harry Callahan, W. Eugene Smith, Lola Alvarez Bravo, Edward Weston, and Garry Winogrand.
UPDATE: LOS ANGELES PREMIERE at MoCA, January, 16 2020
“Los Angeles Filmforum at MOCA hosts the Los Angeles premiere of two films by renowned photographer and filmmaker Danny Lyon, followed by a conversation with the artist via Skype. Wanderer (2017) draws on spaces, objects, and people of the American Southwest, where Lyon lives… (the film) revisits members of the Sanchez and Jaramillo families, who Lyon has filmed and photographed since the 1970s. Most notably, this film is a follow-up to Lyon’s feature film Willie (1985); we learn the fate of Willie and his community in an impoverished area where violence often lurks.” Los Angeles Filmforum is the longest running venue for experimental, independent filmmaking in Los Angeles, promoting both international and local avant garde work.
Music and Climate Action for the New Year /
“SING ME A SAD SONG TO MAKE ME HAPPY…”
Reeb Willms, vocals & guitar; Caleb Klauder, vocals, mandolin, fiddle & guitar. Film directed and produced by David Bunn; audio engineer & DP, Stephen Schauer; Cameras Cody Edison, Alex Blair & Susanna Battin. ©Deep End Sessions 2018.
Caleb Klauder & Reeb Willms: Thomas Fire House Concert Benefit (Set Two)
This beautiful Deep End Sessions concert film, from last December, was just released and it is a remarkable document. Five days after the Thomas Fire ignited live music enthusiasts gathered for a house concert benefit, in the living room of a California farmhouse, to support those who had suddenly lost their homes. Caleb & Reeb put on a sublime show offering musical respite for many in the audience. The Thomas Fire ravaged Ventura and Santa Barbara counties, 281,893 acres burned and at least 1,063 structures perished, yet within one year we have witnessed the most deadly and destructive fires in California’s history. Our nightmare is only getting worse. Where will we be a year from now, and what will we have done to try to help our planet? I asked my self these questions while watching both sets of Caleb and Reeb’s concert film, and felt that I should share a climate action guide that I have been studying to accompany the post.
“A GUIDE FOR SELF RESPECT DURING THE CRISIS OF PLANET EARTH”
Danny Lyon posted this guide for action, by Josephine Ferorelli, on his website in November. “Josephine is the primary mover behind Conceivable Future a grim and determined attack on the climate criminals that rule our lives.” Click here for the document below with the live hyperlinks, and please feel free to share it.
Happy New Year,
Cody